ONE – HUMAN ESCAPE: The Collection + One

DOWNLOAD AND LISTEN “ONE” COLLECTION

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ONE is the name of the new collection released by Human Escape on 14 October 2021

ONE is the latest track in the series of singles produced by the artist Human Escape.

ONE closes a series of releases that bring the artist Human Escape into the most listened to productions of SUPRANU Records.

A magical world created by mixing various genres such as dub, acid techno, dubstep, electronica, and more.

The use of the electric guitar acts as the glue in all his tracks, exploring unusual worlds that have not been explored until now.

Human Escape ONE collection is an exploration of new tonal possibilities through a mix of harmonious and acid sounds, noises and acoustic and electronic effects, that fluctuate and alternate real environments with surreal environments.

Artwork: Michele Uccheddu, Jenni Österlund
Social strategies: Emanuele Balia
Public Relations: Diego Soddu
Management: Michele Uccheddu
Mastering: Tera Mastering (Marco Vincis)

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Lost at midnight Hngvr’s remix

Lost at Midnight is the new remix of HNGVR for SUPRANU Records

Music Links

Click on your favorite link to listen or download this track

HNGVR‘s Remix Lost at Midnight is out in all digital stores and streaming platforms.

The Remix is made from the track “Indian Forest” released in last July by 03SIDIAN and the Bansuri flutist Nicolò Melocchi.

When I first listened to the original I immediately fell in love with its mystic & tribal vibes and it came by itself to ask 03SIDIAN if I could put my hands on it and remix it. I involuntarily turned it into a 8 mins track, the longest I’ve ever composed. I added a deep Reese bassline and chopped the flute in a repetitive, hypnotic way, imagining myself lost in a Indian forest in the middle of the night. Hope you enjoy it!

“look outside” NEW SINGLE BY HUMAN ESCAPE: The eternal struggle between dub and dubstep.

The eternal struggle between dub and dubstep.
The softness of dub versus wobble bass within a hip hop groove, a triplet cadence and a melancholy melody. Reggae reminiscences mixed with synthwave.

A sound research within a mix of genres that, as the title says, shows the intention of looking outside the box of “Pre-packaged Genres”.

Human Escape continues, with the track “Look Outside“, as in the previous singles, the exploration of new tonal possibilities through a mix of harmonious and acid sounds, noises, acoustic and electronic effects, that fluctuate and alternate real environments with surreal environments.

Human Escape want to celebrate every form of escape from our own cages.

credits:

Artwork: Jenni Österlund

Social strategies: Emanuele Balia

Public Relations: Diego Soddu

Management: Michele Uccheddu

Mastering: Tera Mastering (Marco Vincis)

INDIAN FOREST: avant-garde electronic music by 03SIDIAN with Nicolò Melocchi

Indian Forest

Is a journey that starts from within human existence, passes through the green forests of the world, connects insects and all living beings on the path with the roots.

The path is dark, not without fear, but a spiritual guide accompanies this soul through intertwining leaves and branches, until it brings it to the doors of its change.

Indian Forest contains in itself a very important message, it does not want to dazzle the observer, it wants the observer to understand how beautiful simplicity is, it wants this simplicity to be preserved, because it is the basis of happiness and survival.

03SIDIAN composes Indian Forest with the special collaboration of Nicolò Melocchi at the Bansuri Flute. The Flute musical part represents the guide, which illuminates the way and drives the listener to accept the simplicity of happiness. This journey is represented with his instrumental part, taken from the classical Indian music Raga Durga

Nicolò Melocchi Flutist, disciple of Maestro Hariprasad Chaurasia, ambassador of Indian music and the bansuri flute in Italy

www.nicobansuri.com

03SIDIAN continues its collaborations with musicians present in the international music scene, with whom it shares a common thought of hope and awareness thanks to music.

Indian Forest is a track that recalls club sounds and settings, but does not allow it to belong to any genre, maintaining its timbre and compositional independence.

Master: Tera Mastering
Artwork: Michele Uccheddu
Model: Jenni Österlund
Bansuri Flute: Nicolò Melocchi

SIGN: avant-garde, generative music by lcc01234art

SIGN (83737178) is a suspended world, where sound events float above underwater pulsations and phrasing melodics move in space, reflecting on the water.

ECCOsystem Exploring Playlist is a work composed of a collection of “sound explorations’ within the music ecosystem of lcc01234art.

Each track can be interpreted as a planet where forms of sound life live within it.

Within the name of the tracks there are series of numbers that correspond to coordinates, each musical world has a precise position in the sound universe of lcc01234art, a universe made up of 2147483647 spaces of possibility.

credits

Music: lcc01234art
Mix: Nicola Costa
Master: Tera Mastering
Management: Michele Uccheddu
Artwork: Emanuele Balia


lcc01234art – SIGN is also available in VR mode for desktop and smart-phones.

If you want to explore the Artwork of SIGN in 3D, click on the button.

“EVENINGS” NEW SINGLE BY HUMAN ESCAPE: a track that stimulates the imagination and new happy experiences.

EVENINGS is the new single by Human Escape, released by SUPRANU Records.

The acid of the 90s that comes into contact with the IDM, a style in its own right, not identifiable in a single genre. The swinged beat and the alluring melody will transport you to a new fantastic journey.

“It is a track that stimulates the imagination and new happy experiences”.


Human Escape continues, with the track “evenings”, the exploration of new tonal possibilities through a mix of harmonious and acid sounds, noises and acoustic and electronic effects, that fluctuate and alternate real environments with surreal environments.

credits:

Artwork: Jenni Österlund

Social strategies: Emanuele Balia

Public Relations: Diego Soddu

Management: Michele Uccheddu

Mastering: Tera Mastering (Marco Vincis)

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Music for a new perception: “La Stanza nel Deserto – Refutando lo ilusorio y Revelando lo Profundo” the track here.

Refutando Lo llusorio y Revelando Lo Profundo

“A sound that guides towards the depth and not towards the extension. Every moment is a day, a year, a life. The perception of time is deeply linked to our vital state and hence mental. Music played in 432 Hz, Composed and recorded to create a sound that opens the doors of perception to the listener.”

One of the single extract from the album Ren-ge which is the fifth of a record exalogy:

Nam (Artigianarte Editrice 2009), Myo (SMF 2010), Ho (SMF 2012) , Cause and Effect (Denovali Records 2013).

Ren-ge brings together different languages, electronic, jazz, intuitive music, aleatory music, tribal correspondences.

The result is an ambient music that can be defined as a contemporary classic.

The timbre solutions pass through lyrical moments and the sound is processed with the electronics.

Credits:

Mario Massa Trumpet,

Diego Soddu Guitar/Electronic,

Mixa Fortuna Vox,

Mix/Mastering, Diego Soddu,

Original Artwork REN-Ge, Attilio Baghino

Title artowork, Michele Uccheddu






			

Karl Johan – 03SIDIAN. Percussions, Synthesis and love for nature.

Karl Johan is the first single by 03SIDIAN released on 30/04/2021 with SUPRANU Records

Karl Johan by 03SIDIAN is a track with round sounds and an introspective character, in which Mario Massa’s trumpet is inserted, which tells distant and moving stories.

Karl Johan is a liberating dance, a happy cry for an awakening of one’s conscience.

03SIDIAN begins a series of releases composed with a new technique called reverse synthesis.

03SIDIAN focuses his research on the functioning of the natural world, imitating some concepts, without following scientific rules. It takes into account actions such as absorption, or adaptation, reactivity, instincts, character characteristics and the connection in action and reaction between the different forms of life.

AUTOMA, is the name of the system with which the artist is able to express himself with different sources, using the voice or percussion or any other sound source, instantly transforming those sounds into organized music with an ever-evolving and dependent timbre character. from the surrounding sound environment.

Credits

Trumpet: Mario Massa

Mastering: Tera Mastering (Marco Vinci)

Social and Communication: Emanuele Balia, Michele Uccheddu

Public Relations: Diego Soddu, Marco Salaris

Graphic Design: Michele Uccheddu

SUPRANU EDU #1

MXAU (77886585) by l c c 0 1 2 3 4 a r t & 03SIDIAN

MXAU is a generative electronic music piece by lcc01234art and belongs to the sound exploration collection called ECCOsystem Exploring Playlist.


The piece was born from the interaction of two “full generative” systems capable of generating music without any interaction of the performer. The music systems developed by the musicians lcc01234art and 03SIDIAN are called MAXVALUE32 and AUTOMA03 and belong to two different categories of instruments, the first is software, the second is hardware.


The two “musical bots” alternate in the composition of the song using an approach that derives from the club and Djing culture: the “back to back” or b2b.
The “back2back” is a practice of interaction between two DJs during a live dj set, in which alternating, they propose their own music playlists and try to create a fluid set without interruptions, with organic changes between one song and another.

In the case of MXAU the back2back becomes bot2bot, the musicians have made some parts of the song generate by their bots, and by identifying the transition points, they have created a uniform musical structure.
During the experimentation phase, various concepts and solutions emerged, which make it possible to expand the catalog of the possibilities of this well-established approach.

The BOT2BOT
Premise:

As for the operation and architecture of the individual bots, we refer to one of our next articles, in this section we will focus on the compositional method of the piece.
Each composition begins with a musical proposal of the first bot “X” (in this case MAXVALUE32), which is subsequently developed by the second bot “Y” (AUTOMA03). current we have identified two musical structures, the first called New Direction which we will indicate with the letters AB, the second called Time Inversion also defined as! A.

New Direction:

In this musical form the “Y” bot uses the “tail” of the song previously generated by the X bot, using it as a sound source for a possible transformation, in order to create a new direction. This approach recalls the classic “AB” structure.

Time Reversal:

In this case the bot Y, instead of creating a change of direction, compared to the first part of the song, proposes a re-elaborated version of the performance of the bot X, in a mirror image, using the tail of the previous section as a starting point, to the temporal rewind. We have formalized this structure with the symbol “! A”.

For the song MXAU the musicians have indicated, to their respective bots, to use the structure based on the Time Inversion, this approach has allowed to experiment in an original way on the concept of linear temporality and on the concept of sampling, the latter used as a kind of “Short-term memory”, extended to large time windows.

SUPRANU Edu ITA

MXAU è un brano di musica elettronica generativa di lcc01234art ed appartiene alla raccolta di esplorazioni sonore chiamata ECCOsystem Exploring Playlist.

Il brano nasce dall’ interazione di due sistemi “full generative” in grado di generare musica senza alcuna interazione del performer. I sistemi musicali sviluppati dai musicisti lcc01234art e 03SIDIAN si chiamano MAXVALUE32 e AUTOMA03 ed appartengono a due diverse categorie di strumenti, il primo è software, il secondo è hardware.

 I due “bot musicali” si alternano nella composizione del brano utilizzando un approccio che deriva dalla cultura club e del Djing: il “back to back” o b2b.

 Il “back2back” è una pratica di interazione tra due DJ durante un dj set dal vivo, nel quale  alternandosi, propongono le proprie playlist  musicali e cercano di creare un set fluido senza interruzioni, con cambiamenti organici tra un brano e l’ altro.

Nel caso di MXAU il back2back diventa bot2bot, i musicisti hanno fatto generare alcune parti del brano ai propri bot, e individuando dei punti di transizione, hanno creato una struttura musicale uniforme.

Durante la fase di sperimentazione sono emerse diverse nozioni e soluzioni, che consentono di ampliare il catalogo delle possibilità di questo approccio ormai consolidato.

Il BOT2BOT

Premessa:

Per quanto riguarda il funzionamento e l’ architettura dei singoli bot rimandiamo a uno dei nostri prossimi articoli, in questa sezione ci soffermeremo sulla modalità compositiva del brano. 

Ogni composizione inizia con una proposta musicale del primo bot “X” (in questo caso MAXVALUE32), che successivamente viene sviluppata  dal secondo bot“Y”(AUTOMA03)  Il nostro focus è stato quello di cercare diverse soluzioni per evolvere il brano, allo stato attuale abbiamo individuato due strutture musicali, la prima chiamata Nuova Direzione che indicheremo con le lettere AB, la seconda chiamata Inversione Temporale definita anche come !A.

Nuova Direzione:

In questa forma musicale il bot “Y” si serve della “coda” del brano generato precedentemente dal bot X, utilizzandola come fonte sonora per una possibile trasformazione, in modo da creare una nuova direzione. Questo approccio richiama la classica struttura “AB”.

Inversione Temporale:

In questo caso il bot Y, invece di creare un cambio di direzione, rispetto alla prima parte del brano, ripropone una versione rielaborata della performance del bot X, in maniera speculare, utilizzando la coda della sezione precedente come punto di partenza, per il rewind temporale. Questa struttura l’abbiamo formalizzata con il simbolo ”!A”.

Per il brano MXAU i musicisti hanno indicato, ai rispettivi bot, di utilizzare la struttura basata sull’ Inversione Temporale, questo approccio ha consentito di sperimentare in modo originale sul concetto di temporalità lineare e sul concetto di campionamento, quest’ultimo utilizzato a mò di “memoria a breve termine”,  esteso a grandi finestre temporali.